"There are, of course, the    crowd-pleasers like "Take Five" and "Blue Rondo a la Turk." But there    are rare tracks as well..." 
Label: Columbia/Legecy
Personnel: Dave Brubeck, piano/Paul Desmond, alto sax/Eugene Wright, bass/Joe Morello, drums
Genre: straight-ahead jazz
Recommended for: everyone
Label: Columbia/Legecy
Personnel: Dave Brubeck, piano/Paul Desmond, alto sax/Eugene Wright, bass/Joe Morello, drums
Genre: straight-ahead jazz
Recommended for: everyone
Dave Brubeck just celebrated his 90th    birthday, and with a life as long and amazingly productive as his there    are almost too many accomplishments to recount. He's one of the most    critically acclaimed jazz artists of all time, known both as a brilliant    pianist and composer who pioneered the use of unusual time signatures in    his wonderfully lyrical and melodic compositions. He's also probably the    most commercially successful jazz musician ever. His 1959 record "Time    Out" was the first jazz instrumental album to sell a million copies, and    "Take Five," the album's big hit, is still the biggest-selling instrumental    jazz single in history. Even people who know nothing about jazz    recognize "Take Five," if only because it's been used in dozens of    soundtracks and commercials. 
But Brubeck's achievements don't stop    there. As a white musician in a genre dominated by African-Americans,    he was an early advocate for civil rights. The mixed-race quartet    he led in the 1950s and 60s was often barred from performing at venues    in the South, and over the years he has penned compositions inspired by    both Louis Armstrong and Martin Luther King. And when Brubeck graced the    cover of Time magazine in 1954, he despaired that he had received such    an honor before his idol Duke Ellington.
Even now, Brubeck still composes and    tours. Indeed, he recently played a sold-out gig at the Blue Note in New    York City just a month after having a pacemaker installed. And as    he begins his 10th decade there are no shortage of    tributes, including a new documentary on his life that was produced by    one of his biggest fans - actor and director Clint Eastwood. The film,    "Dave Brubeck: In His Own Sweet Way," is named for one of his    tunes; it's airing on the Turner    Classic Movies channel.
Brubeck's discography is enormous, and    choosing the best of his work would be a daunting task for anyone. But Columbia has    made a very good attempt with the release of "Dave Brubeck - Legacy of a    Legend," a two-disc compilation drawn from the label's collection of 17    Brubeck recordings. The Columbia era covers much of the work produced by    Brubeck's legendary quartet of the 50s and 60s, a combo that included    the effervescent alto saxophonist Paul Desmond, bassist Eugene Wright and    drummer Joe Morello. Needless to say, there is plenty of great stuff    here. 
There are, of course, crowd-pleasers    like "Take Five" and "Blue Rondo a la Turk." But there are rare tracks    as well, such as a never-before-released version of "Three to Get Ready"    performed at the quartet's last concert before it disbanded in 1967.    There's also evidence of Brubeck's collaborations with other jazz    greats, including a version of "Summer Song" with the inimitable Satchmo    on vocals, taken from an out-of-print 1961 recording. Other highlights    include the quartet backing singer Carmen McRae on "My One Bad Habit,"    and a live performance of W.C. Handy's "St. Louis Blues" featuring Gerry    Mulligan and Brubeck trading solos in what amounts to a red-hot jam    session.
For Brubeck neophytes, it's hard to think    of a better introduction to his work than "Legacy of a Legend." But even    longtime fans should find plenty to like with this release, which    includes new liner notes by Brubeck's son, Darius, and a plethora of    photographs of Brubeck, his family and the musicians he's worked with    through the decades. Now, with Brubeck's place in the jazz pantheon    firmly established, here's hoping he continues to make music, in his own    sweet way, for many    years to come.
-Tony Rogers

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